Born January 20, 1946, in Missoula, Montana, David Lynch’s father was a research scientist for the Department of Agriculture and his mother an English language tutor. Because of his father’s job, the family moved around a lot, the future writer-director having spent most of his formative years in Virginia.
After attending the School of the Museum of Fine Arts in Boston in 1964, Lynch decided to go to Europe with friends for three years but came back in fifteen days and eventually enrolled in the Pennsylvania Academy of Fine Arts in Philadelphia. While there from 1966 to 1970 he made several experimental films. Now married with a young daughter, he moved to Los Angeles in 1971 and began work on the film Eraserhead in 1972. The surrealistic film set in a post-Apocalyptic world was eventually completed and made its theatrical debut in 1977.
The cult success of Eraserhead allowed Lynch to briefly become a director for hire. His first mainstream Hollywood film, 1980’s The Elephant Man was a rare for the era made in black-and-white. It was a critical and box-office success, resulting in eight Oscar nominations including two for Lynch for Best Director and Best Adapted Screenplay, which he co-wrote with two others.
Lynch’s next film, 1984’s Dune was a critical and commercial failure, but he quickly recovered his reputation with the stunning Blue Velvet. Released in 1986, the sex-filled mystery thriller won numerous awards, but strangely enough its only Oscar nomination was for Lynch’s direction.
Perhaps the pinnacle of his success came with the twenty-nine-episode run of his TV series, Twin Peaks, which ran from April, 1990 through June, 1991. The story, which centers on of the murder of a young woman in a picaresque small Washington State town, has remained a cult favorite for more than twenty years.
During the show’s run came another theatrical release, that of the bizarre crime thriller Wild at Heart, which won several major awards including a Best Supporting Actress Oscar nomination for Dianne Ladd as a mom with murder on her mind.
The wild success of Twin Peaks led to a 1992 theatrically released prequel entitled Twin Peaks: Fire Walk with Me.
After concentrating on TV for much of the 1990s, Lynch returned to the big screen with 1997’s Lost Highway, his most surrealistic up to that time, in which the lead character morphs into another one when he is released from prison where he had been incarcerated for the murder of his wife, which he didn’t commit.
Lynch next directed his first and only film to date that he had not written himself, the sweet real-life story of an elderly man who goes on a journey on his tractor to visit his estranged brother before the brother’s imminent death. Called The Straight Story, the film’s protagonist is named Alvin Straight, the title is also a bit of a pun in that it is the first and again, only Lynch film to date, that is an unembellished or “straight” story. The result was a Best Actor Oscar nomination for Richard Farnsworth, but, alas, none for Lynch himself.
A return to the surreal netted 2001’s Mulholland Dr., a critically acclaimed film about an amnesiac that Lynch had originally written for TV. Although the film won numerous awards, its only Oscar recognition was given to Lynch himself who received his third nomination for Best Director.
Lynch’s sole full-length film since Mulholland Dr. was 2006’s Inland Empire about an actress who begins to take on the persona of the character she is playing. Although the critics were generally kind, the film was not a commercial success and Lynch’s subsequent work was limited to short films.
David Lynch died January 15, 2025 at 78.
ESSENTIAL FILMS
THE ELEPHANT MAN (1980)
Bernard Pomerance’s 1979 Broadway play and Lynch’s 1Oscar nominated 980 film both tell the true story of Joseph (John) Merrick with one major difference. Both follow the rescue of the disfigured man, who lived from 1862-1890, by a Victorian doctor, his residence in a London hospital, his gradual acceptance by London society and his sad, lonely, early death. The difference? In the play the title role is played by a young, handsome actor whose deformity is left to the imagination. In the film, full body makeup renders star John Hurt unrecognizable, but his Oscar nominated performance is impeccable.
BLUE VELVET (1986)
A dark, sensual mystery set in a bucolic small American town, Blue Velvet opens with the finding of a severed human ear and never lets up. Kyle MacLachlan and Laura Dern, both of whom would become perennial Lynch players, are the young innocents and Isabella Rossellini, Dennis Hopper and Dean Stockwell are the jaded older protagonists. For Hopper, his deranged character was the actor’s career high performance, although the staid Academy nominated him for Best Supporting Actor that year for the more family friendly The Hoosiers instead. Oddly, Lynch’s direction was the film’s only recognition that Oscar accorded the film.
TWIN PEAKS (1990-91)
Who killed Laura Palmer and why? Lynch’s TV series takes almost thirty spellbinding hours to let you know. One of the best loved anthology series in the history of television, the film either made or rebooted the careers of its entire cast which included Kyle MacLachlan, Michael Ontkean, Madchen Amick, Dana Ashboork, Richard Beymer, Lara Flynn Boyle, Sherilyn Fenn, Peggy Lipton, Jack Nance, Joan Chen, Piper Laurie, Ray Wise, Sheryl Lee and Grace Zabriskie. Watch out for the Log Lady. The series spawned two theatrical sequels, a 2014 TV film by Lynch, and a 2017 TV series.
THE STRAIGHT STORY (1999)
This wonderfully drawn character study may seem on the surface to be the antithesis of a David Lynch film, but the leisurely pace, the eccentricities of the characters and the bucolic scenery are very much the trademarks of all his films. Richard Farnsworth, the former stunt man turned character actor had the role of his career as Alvin Straight, the farmer who goes on a journey on his tractor to visit his estranged brother before the latter dies. The real-life Straight died shortly after the incident and Farnsworth died shortly after receiving his well-deserved Oscar nomination for his performance.
MULHOLLAND DRIVE (2001)
After a car wreck on Mulholland Drive renders a woman amnesiac, she and a Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality. This was the film that put Australian actress Naomi Watts on the Hollywood map. Co-starring Laura Elena Harring and screen legend Ann Miller, the film’s many twists and turns also involve the likes of Robert Forster, Lee Grant, Dan Hedeya and Justin Theroux. Like Blue Velvet, this was another film for which Lynch’s Oscar nomination for direction was strangely the only one that the film received.
DAVID LYNCH AND OSCAR
The Elephant Man (1980) – Nominated -Best Adapted Screenplay
The Elephant Man (1980) – Nominated – Best Director
Blue Velvet (1986) – Nominated – Best Director
Mulholland Drive (2001) – Nominated – Best Director













